The Egyptian sculptor, cutting into a block of stone, has shaped and organized the parts of his work so that they produce a particular sense of order, a unique and expressive total form. The individual parts have been conceived of as planes which define the figure by creating a movement from one part to another, a movement that depends on our responding to each new change in direction. . . In this process our sense of the third-dimensional aspect of the work is enforced and we become conscious of the work as a whole. The movement within the figure is very slight, and our impression is one of solidity, compactness, and immobility.
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