Ordinary people and the catcher in the rye

Garcia was a brakeman at a train yard in the center of the town of Nacozari, an old-timey metropolis with a population of 5,000 . While on break on November 7, 1907, Garcia noticed the absolute last thing a man driving a train full of 70 crates of dynamite needs: burning hay. Several of the cars were carrying the stuff, and sparks from the chimney stack had blown into them and set them a-blazin'. And that's just half of the equation. The train was surrounded by gas tanks, dynamite stores, and other desert train yard accoutrements in the center of Sonora's heritage hotspot.

*Starred Review* In spite of the strict restrictions on foreign press, award-winning journalist Demick caught telling glimpses of just how surreal and mournful life is in North Korea. Her chilling impressions of a dreary, muffled, and depleted land are juxtaposed with a uniquely to-the-point history of how North Korea became an industrialized Communist nation supported by the Soviet Union and China and ruled by Kim Il Sung, then collapsed catastrophically into poverty, darkness, and starvation under the dictator’s son, Kim Jong Il. Demick’s bracing chronicle of the horrific consequences of decades of brutality provide the context for the wrenching life stories of North Korean defectors who confided in Demick. Mi-ran explains that even though her “tainted blood” (her father was a South Korean POW) kept her apart from the man she loved, she managed to become a teacher, only to watch her starving students waste away. Dr. Kim Ki-eum could do nothing to help her dying patients. Mrs. Song, a model citizen, was finally forced to face cruel facts. Strongly written and gracefully structured, Demick’s potent blend of personal narratives and piercing journalism vividly and evocatively portrays courageous individuals and a tyrannized state within a saga of unfathomable suffering punctuated by faint glimmers of hope. --Donna Seaman --This text refers to the Audio CD edition.

This morning I listened to an interview with writer Pico Iyer in which he explains why he spends the first hours of his day in silence. “I just sit there,” he says, “trying to sift through my projections, my distortions, trying to find the voice behind my chatter, trying to find, of all the things passing through my head, if there is any one thing worth committing to the page.” Although I haven’t been doing much sitting lately – there are too many weeds in the garden to allow for that – I’ve been engaged in a similar kind of daily sorting and sifting and wondering. “Speak only if it improves upon the silence,” Gandhi advised, words I’ve pondered while questioning my own writing, how to respond appropriately to the unfolding events in our world, and whether there’s any need to add one more voice to the clamor.

Ordinary people and the catcher in the rye

ordinary people and the catcher in the rye


ordinary people and the catcher in the ryeordinary people and the catcher in the ryeordinary people and the catcher in the ryeordinary people and the catcher in the rye